'
Incoherence and extravagance we find here and there; but it is not the
flutter of weakness, it is the fury of power: from the very stumble of
the rushing steed, sparks are kindled. And, even as Baretti, when he
read the _Rambler_, in Italy, thought within himself, If such are the
lighter productions of the English mind, what must be the grander and
sterner efforts of its genius? and formed, consequently, a strong desire
to visit that country; so might he have reasoned, If such poems as
'David' issue from England's very madhouses, what must be the writings
of its saner and nobler poetic souls? and thus might he, from the
parallax of a Smart, have been able to rise toward the ideal altitudes
of a Shakspeare or a Milton. Indeed, there are portions of the 'Song to
David,' which a Milton or a Shakspeare has never surpassed. The blaze of
the meteor often eclipses the light of
'The loftiest star of unascended heaven,
Pinnacled dim in the intense inane.'
SONG TO DAVID.
1 O thou, that sitt'st upon a throne,
With harp of high, majestic tone,
To praise the King of kings:
And voice of heaven, ascending, swell,
Which, while its deeper notes excel,
Clear as a clarion rings:
2 To bless each valley, grove, and coast,
And charm the cherubs to the post
Of gratitude in throngs;
To keep the days on Zion's Mount,
And send the year to his account,
With dances and with songs:
3 O servant of God's holiest charge,
The minister of praise at large,
Which thou mayst now receive;
From thy blest mansion hail and hear,
From topmost eminence appear
To this the wreath I weave.
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