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Lawrence, D. H. (David Herbert), 1885-1930

"Women in Love"

The
essence of that female, subterranean recklessness and mockery
penetrated his blood. He could not forget Gudrun's lifted, offered,
cleaving, reckless, yet withal mocking weight. And Birkin, watching
like a hermit crab from its hole, had seen the brilliant frustration
and helplessness of Ursula. She was rich, full of dangerous power. She
was like a strange unconscious bud of powerful womanhood. He was
unconsciously drawn to her. She was his future.
Alexander played some Hungarian music, and they all danced, seized by
the spirit. Gerald was marvellously exhilarated at finding himself in
motion, moving towards Gudrun, dancing with feet that could not yet
escape from the waltz and the two-step, but feeling his force stir
along his limbs and his body, out of captivity. He did not know yet how
to dance their convulsive, rag-time sort of dancing, but he knew how to
begin. Birkin, when he could get free from the weight of the people
present, whom he disliked, danced rapidly and with a real gaiety.


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