SEITZ, GEORGE B., 194.
SELIG, 2, 78, 129, 189, 190, 283-285.
Sequence in the action, 135-137.
Serials, 26, 193.
Set, 26, 204-217.
Setting, 26, 166, 204-217.
_Short Story, The_, 74, 87, 90.
_Short-Story Writing_, 28.
Situation, 26, 27.
Split reel: See "Reel."
Stage, 27, 245-254.
Stock people, 27.
Stop-camera work, 176-181.
STORY, WALTER, 283-285.
_Strand Magazine_, 352, 354.
STRINGER, ARTHUR, 184, 185.
Struggle, 89.
Studio, 27.
Subject, 28.
Sub-title: See "Leader."
SULLIVAN, C. GARDNER, 127.
_Sun, New York_, 304.
_Sun, Sand and Solitude_, 82.
_Superba_, 326.
Super-imposure: See "Double exposure."
Suspense, 137-140, 157, 195.
_Swell Miss Fitzwell, The_, 325.
Synopsis, 31, 35-37, 87-109, 365-370.
T
_Tale of Two Cities, A_, 185-187.
_Technique of the Photoplay, The_, 165, 242.
THANHOUSER, 272.
Themes, desirable, 304-323;
undesirable, 282-303.
_Thirteenth Man, The_, 353.
THOMAS, A.W., 288.
_Three Friends_, 153, 201.
Tinting, 28.
Title, 28, 72-86.
TREMAYNE, W.A., 129.
TRIANGLE, 79, 127.
Trite themes, 296-300.
Typewriting, 59-70.
U
UNIVERSAL, 34, 127, 297.
V
VERNE, JULES, 311.
Visions, 28, 176-181.
Visualization, 132, 133.
VITAGRAPH, 106, 107, 129, 171, 172, 184, 185, 277, 278, 297, 302,
350, 363.
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