Denouement, 89.
_Devil Stone, The_, 236, 237, 321.
Dialogue, 3, 200, 201.
Diaphragm, 19, 20.
Diaphragming-in and -out: See "Fade-in," and "Fade-out."
DICKENS, CHARLES, 185-187.
Director, 20, 115, 116, 212-214.
Doing a picture, 20.
Double exposure, 20, 185-188.
DOYLE, A. CONAN, 348-351, 354.
_Dramatic Mirror, The_, 140, 263, 357.
Dramatic photoplay, The, 2.
Dreams, 176-181.
DREW, JOHN, 333.
DREW, MR. AND MRS. SIDNEY, 329, 333-335.
Dual-character films, 185-188.
_Duchess at Prayer, The_, 348.
DUMAS, ALEXANDER, 189.
E
_Eagle's Eye, The_, 181-183, 196, 274.
EDISON, 3, 78, 111, 172, 275, 297, 358-360.
_Editing a Motion Picture_, 227.
Editor, 20, 84, 85.
Educational films, 2, 3.
"EDWARDS, JOHN MILTON," 82.
_Eight Bells_, 326.
Episode, 194.
ESSANAY, 77.
_Everybody's Girl_, 363-407.
Expense of production, 268-281.
Exteriors, 20, 248, 249.
Extras, 21.
Extravaganza, 326.
F
Fade in, 21.
Fade out, 21.
FAIRBANKS, DOUGLAS, 2, 102.
"Faked" scenes, 269-272.
FAMOUS PLAYERS, 189, 190.
Farce, 2, 324, 325.
FARNUM, WILLIAM, 186.
Feature photoplays, 24, 188-193.
_Fiction Factory, The_, 82.
Fiction writing an aid to photoplay writing, 5-16.
_Figaro, Paris_, 308, 309.
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