Another consideration is that using the cut-in and omitting the leader
before the scene makes it possible to start the scene with action that
does not at first disclose Tom's intention. Then when the proper
moment arrives, the cut-in leader is flashed on the screen, and the
result is that, instead of the spectator's anticipating what is about
to happen, he is likely to be as much taken by surprise as is the
guilty brother.
After introducing the cut-in leader, write _Back to scene_, the same
as after an inserted letter, telegram, newspaper item, or the like.
In what follows we give examples of proper scenario form, as well as
examples of the way in which the leader, cut-in leader, letter, bust,
and mask are used.
[Illustration: View of Stage, Lubin Studio, Los Angeles, California]
[Illustration: Wardrobe Room in a Photoplay Studio]
_Leader_--TOM DISCOVERS HIS BROTHER'S CRIME
9--Maxwell's library, same as 4--
Tom enters, followed by Ralph. Tom goes straight to desk,
opens it, and takes out envelope. From it he takes Ralph's
letter and the check. Glances over letter again, Ralph
standing by, watching him with nervous expression.
_On screen, letter._
Dear Blakely:
I send you enclosed my father's check to cover amount of my
debt to you.
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