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"Writing the Photoplay"

One
specific word outweighs a score of general statements. Consider the
difference between "horse" and "broncho;" "house" and "bungalow;"
"woman" and "sour spinster." Be definite.
A careful examination of any well-written synopsis will convince the
novice that several rewritings are not too many to give to a synopsis
before deciding that it is _clear, concise, and interesting_. Each of
these points is well worth considering carefully. Interest, no one can
teach you; conciseness may be attained only by cutting out needless
words and _studying_ how to express the utmost in terse language; and
clearness is surely equally worthy of conscientious effort to master.
A first-class rhetoric, like Genung's, or Hill's, will be of great
value in acquiring conciseness and clearness of style, as well as
other good qualities of expression. One point only is there time to
dwell upon here: the lack of clearness arising from the careless use
of personal pronouns. For example, compare the relative clearness in
these two statements:
"In a moment of excitement, Harley strikes Jim a heavy blow. The whole
thing dazes him, and he scarcely knows what to do. After a few hours,
he determines upon revenge and, after taking his brother into his
confidence, warns him that he will shoot him on sight, etc.


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