A writer sends in an
unusually good script entitled "Not Like Other Girls"--which, by the
way, is a well-known book-title. At about the time that his script is
received at the Goldwyn scenario department, the company decides to
feature, in addition to its women, a certain male star. This writer's
story, while one with a "woman lead," is also one whose plot is
capable of being worked over and slightly altered so as to provide a
good vehicle for the leading man who has just been engaged. On the
strength of this fact, the company buys the author's story without
even informing him of their intention to make alterations in it--or
they may, of course, tell him of the contemplated alterations and
request his help in recasting the story. Not only is the action
changed in different ways, but the title is sure to be altered to make
it appropriate for a male leading character--and all quite
justifiably.
In this condition of affairs, by no means infrequent, the
photoplaywright may find a strong reason for being familiar with the
people composing a certain company, for the actual structure of the
play as well as the title will influence its acceptance in some
instances. It is well to ask: Are men or women featured in their
pictures; or do they put out stories with a male and a female "lead"
of equal strength? Your story should be good enough to make it
acceptable to any editor; yet, if you plan to send it first to a firm
that features a woman in most of its pictures, as you have the
opportunity of knowing if you study the pictures you see on the screen
and read the trade-papers, do not write a story with a strong male
"lead," and do not give it a title that draws attention to the fact
that the principal character is a man.
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