His countenance was strongly marked.
He had a hooked nose, a romantic eye, excepting that it had something
of a squint; and altogether, as I thought, a poetical style of head. I
was quite taken with the man, for you must know I am a little of a
physiognomist: I set him down at once for either a poet or a
philosopher.
As I like to make new acquaintances, considering every man a volume of
human nature, I soon fell into conversation with the stranger, who, I
was pleased to find, was by no means difficult of access. After I had
dined, I joined him at the window, and we became so sociable that I
proposed a bottle of wine together; to which he most cheerfully
assented.
I was too full of my poem to keep long quiet on the subject, and began
to talk about the origin of the tavern, and the history of Jack Straw.
I found my new acquaintance to be perfectly at home on the topic, and
to jump exactly with my humor in every respect. I became elevated by
the wine and the conversation. In the fullness of an author's feelings,
I told him of my projected poem, and repeated some passages; and he was
in raptures. He was evidently of a strong poetical turn.
"Sir," said he, filling my glass at the same time, "our poets don't
look at home. I don't see why we need go out of old England for robbers
and rebels to write about. I like your Jack Straw, sir. He's a
home-made hero. I like him, sir. I like him exceedingly. He's English
to the back bone, damme.
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