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Various

"The Atlantic Monthly, Volume 01, No. 3, January, 1858"

But remember that talking is
one of the fine arts,--the noblest, the most important, and the most
difficult,--and that its fluent harmonies may be spoiled by the
intrusion of a single harsh note. Therefore conversation which is
suggestive rather than argumentative, which lets out the most of
each talker's results of thought, is commonly the pleasantest and
the most profitable. It is not easy, at the best, for two persons
talking together to make the most of each other's thoughts, there
are so many of them.
[The company looked as if they wanted an explanation.]
When John and Thomas, for instance, are talking together, it is
natural enough that among the six there should be more or less
confusion and misapprehension.
[Our landlady turned pale;--no doubt she thought there was a screw
loose in my intellects,--and that involved the probable loss of a
boarder. A severe-looking person, who wears a Spanish cloak and a
sad cheek, fluted by the passions of the melodrama, whom I understand
to be the professional ruffian of the neighboring theatre, alluded,
with a certain lifting of the brow, drawing down of the corners of
the mouth, and somewhat rasping _voce di petto_, to Falstaff's nine
men in buckram. Everybody looked up. I believe the old gentleman
opposite was afraid I should seize the carving-knife; at any rate,
he slid it to one side, as it were carelessly.


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