"I'm getting ill," I thought; "I'll have no more of this."
I looked at a bottle of chloroform standing conveniently near, took it
up, and drew out the stopper. Lifting it to the light, I looked at it.
Quiet and calm and peaceful it reposed, unconscious of ill done or to be
done by itself. It was so innocent that I could not let it sin by
hurting me. I gazed again at my reflection in the glass, and a sudden
intuition taught me a startling truth.
It may have been, nay, must have been, the innocence born of the lucent
chloroform, reflected in my own face; but I was certain that the mirror
and the Axtell house contained two pictures that were the one like the
other. I smiled at the fancy. The illusion, if illusion it was, fled.
The picture on the wall never smiled from out the canvas. I took dark
winding-cloths and bound them about my head, covering the hair and
forehead, all the while watching the effect produced in the mirror. The
result was somewhat striking, it is true, but not of the agreeable
style. I unbound my frontlet, taking off the black phylactery, whose
memorable sentence, written in white letters, had been visible to myself
alone. A contrast suggested itself to me. I would try white; and so I
materialized the suggestion, and stood looking the least bit in the
world like a nun, bound about with my white vestments, and had obtained
only one very unsatisfactory glimpse of the effect produced upon the
sensitive heart of quicksilver, when I found that that subtile heart
responded to influences other than mine.
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