He told me one day that literature was not a
trade; that it was no craft; that the professed author was merely
an amateur with a door-plate. 'Very well,' said I, 'the first time
you get a proof, I will demonstrate that it is as much a trade as
bricklaying, and that you do not know it.' By the very next post,
a proof came. I opened it with fear; for he was indeed, as the
reader will see by these volumes, a formidable amateur; always
wrote brightly, because he always thought trenchantly; and
sometimes wrote brilliantly, as the worst of whistlers may
sometimes stumble on a perfect intonation. But it was all for the
best in the interests of his education; and I was able, over that
proof, to give him a quarter of an hour such as Fleeming loved both
to give and to receive. His subsequent training passed out of my
hands into those of our common friend, W. E. Henley. 'Henley and
I,' he wrote, 'have fairly good times wigging one another for not
doing better. I wig him because he won't try to write a real play,
and he wigs me because I can't try to write English.
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