The tale
of David in the Bible, the ODYSSEY, Sophocles, AEschylus,
Shakespeare, Scott; old Dumas in his chivalrous note; Dickens
rather than Thackeray, and the TALE OF TWO CITIES out of Dickens:
such were some of his preferences. To Ariosto and Boccaccio he was
always faithful; BURNT NJAL was a late favourite; and he found at
least a passing entertainment in the ARCADIA and the GRAND CYRUS.
George Eliot he outgrew, finding her latterly only sawdust in the
mouth; but her influence, while it lasted, was great, and must have
gone some way to form his mind. He was easily set on edge,
however, by didactic writing; and held that books should teach no
other lesson but what 'real life would teach, were it as vividly
presented.' Again, it was the thing made that took him, the drama
in the book; to the book itself, to any merit of the making, he was
long strangely blind. He would prefer the AGAMEMNON in the prose
of Mr. Buckley, ay, to Keats. But he was his mother's son,
learning to the last.
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