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Chesnutt, Charles W. (Charles Waddell), 1858-1932

"The Marrow of Tradition"

Though Miller had a good
horse in front of him, he was two hours in reaching his destination.
Never will the picture of that ride fade from his memory. In his dreams
he repeats it night after night, and sees the sights that wounded his
eyes, and feels the thoughts--the haunting spirits of the thoughts--that
tore his heart as he rode through hell to find those whom he was
seeking. For a short distance he saw nothing, and made rapid progress.
As he turned the first corner, his horse shied at the dead body of a
negro, lying huddled up in the collapse which marks sudden death. What
Miller shuddered at was not so much the thought of death, to the sight
of which his profession had accustomed him, as the suggestion of what it
signified. He had taken with allowance the wild statement of the fleeing
fugitives. Watson, too, had been greatly excited, and Josh Green's group
were desperate men, as much liable to be misled by their courage as the
others by their fears; but here was proof that murder had been
done,--and his wife and children were in the town. Distant shouts, and
the sound of firearms, increased his alarm. He struck his horse with the
whip, and dashed on toward the heart of the city, which he must traverse
in order to reach Janet and the child.
At the next corner lay the body of another man, with the red blood
oozing from a ghastly wound in the forehead. The negroes seemed to have
been killed, as the band plays in circus parades, at the street
intersections, where the example would be most effective.


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